In Juicy Writing, we considered why we write. Why are we motivated; what drives us toward that accomplishment. That way, if we're tired of writing, we can look at our list and remember why we cared enough to go the distance. So here's what I'm passionate about:
I'm passionate about making something that wasn't there before.
I'm passionate about giving people something to think about.
I'm passionate about giving people an escape from anything that worries them.
I'm passionate about the people in my books. They're real to me, and I want to give them expression.
I'm passionate about having something to do.
I'm passionate about doing something no one else has done before. Like snowflakes or fingerprints, no one else is going to write my stories, even if they were given the plot points and character profiles and assigned to do it.
I'm passionate about leaving something behind when I'm gone.
I'm passionate about taking chances.
I'm passionate about disappearing into a fantasy.
I'm passionate about finding out what happens next.
I'm passionate about the human race, and the fragility, beauty, nobility, and triumph of their existence.
I blog about what I wrote yesterday. Or what I'll write today. And share anything I find interesting and inspiring along the way!
Naima's Published Titles
Showing posts with label Juicy Writing. Show all posts
Showing posts with label Juicy Writing. Show all posts
Sunday, November 20, 2011
Thursday, November 3, 2011
Sandwiches and Clichés
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Recipe - http://bit.ly/sDFdfX |
It is the season, Alice ..., He immediately began scribbling, ...when a young man's fancy turns to love. Mortimer took a bite of his Monte Cristo sandwich and contemplated his next line as he chewed. Powdered sugar fell onto his Garfield stationary, but such was his concentration that he didn't notice. "Ah," he said, hit with sudden inspiration. He anchored the page with an elbow and wrote the next line of purple passion. Frankly, my dear, I don't give a damn if your eyes are like moonbeams and your lovely hair like thistledown. It is the milky smoothness of your voice, the hammy fullness of your communicative style, the sweetness and softness of your smile that I crave. To consume you would be heaven. "Heaven," he mumbled, popping the last big bite into his welcoming mouth. He closed his eyes and thought, 'Others' love is like a red, red rose, but you, my dear, are as sumptuous as my favorite sandwich.' "I'll write that down!" Mortimer exclaimed, powdered sugar and Texas toast crumbs flying on his exhaled breath to scatter across his letter. Mortimer was not handsome, but he had a way with words and an appetite he was sure Alice could not resist. He would marry her in April -- April was the loneliest month, after all -- and he resolved to be lonely no longer. He would teach her to cook on their honeymoon. They would never go hungry and they would live long and prosper.
Sunday, September 11, 2011
Painting to Write
This time in Juicy Writing, Sharon reminded us that sometimes we work too hard. Tonight, instead of doing writing exercises, we would paint. I came into the session stressed and left completely relaxed. This is my painting you see here.
I am a classic Type A. As fulfilling as writing and self-publishing are, I get really wound around the axle. I get really obsessive. I wake up every morning with an aching jaw from grinding my teeth and with my head a mental teleprompter endlessly scrolling a list of publishing tasks. I have to remind myself sometimes that I already have one stressful job. I did not choose to pursue my writing muse to give myself a second stressful job. It is precisely at those times when playing is just what my writing needs.
To understand how this works, I recommend the book My Stroke of Insight: A Brain Scientist's Personal Journey by Jill Bolte Taylor, Ph.D. She suffered a massive stroke to her left hemisphere and lived with only her right during the first long stretch of her recovery. What she unexpectedly found was bliss. She lost her ego, lost her agenda, lost the concept of linear time, lost her need to be top dog, lost even her sense of physical separateness. Without these qualifiers, she felt constant love and joy. As she regained use of her left hemisphere, she had to develop mental habits that disciplined her left's dominant tendencies so that she could maintain inner peace.
One of the ways I maintain balance is through creative play, like painting. For you it may be throwing pots on a wheel or playing a round of golf before noon while the air is still fresh and cool. Something that absorbs your attention and brings you into Now. Something that has nothing riding on the outcome. This transfers your mental energy from the left hemisphere of your brain, which collects data and makes predictions based on its findings, to the right hemisphere, where creativity reigns and anything is considered possible. As writers, we need both hemispheres working in partnership, but for many of us left is dominant and really stifles right. So let Right out for a frolicsome run!
If you're interested in something like I do, you might check out Sharon's websites, http://www.sharonrenae.com/ and http://sharonrenaeart.com/. She's starting an online series of classes soon. Throughout the next year, she plans to branch out into a number of intuitive and creative subjects. Her newsletter will keep you informed as these opportunities arise.
Thursday, August 18, 2011
What I Did Instead of Working
Yesterday the work was so scarce that I logged in half my time as vacation and spent it surfing my social networks. On Twitter, CC Ekeke (@ccekeke) tweeted a link to the writer's newsletter he publishes called The Daily Novel. I read an article called Maximizing Digital Book Sales, by Carolyn McCray. It talked about improving your ranking in Amazon through tags and classifying. There are some categories in Amazon that are less populated and, therefore, less competitive -- shortening the distance to the hundredth place in the top 100 best-seller list. Some of the categories are classifications Amazon has total control over, but you can influence Amazon to classify your books by the use of tagging. This article explains how to use tagging to increase your visibility to Amazon and ultimately to more readers. Another tweet (and I apologize for forgetting which tweeter contributed) had a link to JK Rowling's address to a 2008 graduating class at Harvard. Her subject was the gifts of failure and imagination. It was so stirring. I had no idea she had had extraordinary experiences before she became a bestselling author. Blog surfing informed me that 2 Twitter followers have new books out: AL Fetherlin's Brynn, The Exorcist (she's gifting free review copies) and Elisa Hategan's Race Traitor, a thriller. I'm looking forward to reading both.
Labels:
dark fiction,
exorcist,
Juicy Writing,
Naima Haviland,
novel,
race traitor,
The Daily Novel,
vampire
Friday, July 15, 2011
Romance and Twitter Contests
In Juicy Writing last night, Sharon read from a list of phrases in a romance writing phrase book and challenged us to take one or more of these phrases and write a short story on the spot. I wrote a 3-page story using two of the phrases. I love my story! It's not a horror story in any way. It's a romance, untinged by anything dark. I like the rare occasions when I write something completely un-dark because it reminds me that I can write "normal" stuff. I want to put it up on StoryFans at the same time I publish Bloodroom, which is a vampire romance. The StoryFans release will hopefully drive readers to the book.
Yesterday, Steven Lewis' Kindle Self-Publishing blog featured Tony Eldridge, a writer and e-book marketing consultant. Tony's new book teaches techniques for creating successful Twitter contests. The blog story includes a link to a free sampling of Twitter contest ideas. I would love to create Twitter contests as a way of widening my readership. There are so many options for book promotion and I feel somewhat like Columbus upon "discovering" the New World. It's all very exciting. Do you have a successful marketing strategy you'd like to share with me?
Yesterday, Steven Lewis' Kindle Self-Publishing blog featured Tony Eldridge, a writer and e-book marketing consultant. Tony's new book teaches techniques for creating successful Twitter contests. The blog story includes a link to a free sampling of Twitter contest ideas. I would love to create Twitter contests as a way of widening my readership. There are so many options for book promotion and I feel somewhat like Columbus upon "discovering" the New World. It's all very exciting. Do you have a successful marketing strategy you'd like to share with me?
Friday, July 1, 2011
FB Webinars and Abolitionists
I took Shelley Hitz's free webinar on building a Facebook author page Wednesday night. It was like trying to take a drink from a fire hose full blast, so I'm glad she made the recording and an attendant PDF available. I will need those when I design my page. She advised on connecting your FB fan page to other social networking sites and apps, such as http://hootsuite.com// and http://socialbios.com/. She showed how to engage FB friends through use of FB's interactivity features. She's offering a 4-webinar subscription throughout July. I plunked down the cash, because one thing the price includes is updated info as FB changes, so I figure it will remain a fresh resource for me. The link to her Self Publishing Coach blog is in the right column of this page.
Finished the webinar and thought to do a little writing so I'd have something to read to Sharon in Juicy Writing Thursday. I want to write a little scene between Charlotte and the Greeley sisters that will show how close they are from body language and a few snippets of conversation. The ostensible purpose of the scene is to set up the Greeleys being at Eugenie's bedside when Malinde makes her final visit. But as abolitionists, the Greeleys are the moral conscience of the story, so even though their facetime is minimal, their impression of what's happening is important. And their presence in the story has big implications for Risa, my heroine's best friend and a fellow slave. The way I write, I have to know the setting -- what the room looks like. And then what the characters look like, their physical features and their clothing. Even though the truly important thing is their interaction (and I could write that first; it would be more productive) my inner comfort zone is that I need to walk past the scene and understand it a glance. Literally (mentally) I need to be an uninvolved spectator who just happens by and sees the people. What would I get from a glance? The tension in the room? Or the ease? Would I be impressed by their wealth? Moved to pity? Repulsed? I need that snapshot before plumbing the depths. Even when conversation comes to mind first, which happens during moments of relaxation, and I grab pen and paper to write it down, I have to write the setting and have appearance in mind before inputting the written conversation. so the upshot of Wednesday night was I went through The Bad Death to reacquaint myself with the Greeley girls' appearance and I looked through my photography books on Charleston's great houses to pick out the perfect setting for the scene. Found one, too. So tonight I'll start writing.
Last night in Juicy Writing, Sharon helped me organize a schedule for my writing/publishing tasks. She has a method of putting this to paper that is really visual and stress-reducing. Now I literally have it on paper, pinned to my bulletin board above my desk, that Saturday I will publish my three short stories to e-readers. Monday, I'll input Linda's edits to Bloodroom and I'll keep doing that till I'm done. I have been pinballing from one task to another, not finishing anything and getting wigged out. So this will help immensely.
Finished the webinar and thought to do a little writing so I'd have something to read to Sharon in Juicy Writing Thursday. I want to write a little scene between Charlotte and the Greeley sisters that will show how close they are from body language and a few snippets of conversation. The ostensible purpose of the scene is to set up the Greeleys being at Eugenie's bedside when Malinde makes her final visit. But as abolitionists, the Greeleys are the moral conscience of the story, so even though their facetime is minimal, their impression of what's happening is important. And their presence in the story has big implications for Risa, my heroine's best friend and a fellow slave. The way I write, I have to know the setting -- what the room looks like. And then what the characters look like, their physical features and their clothing. Even though the truly important thing is their interaction (and I could write that first; it would be more productive) my inner comfort zone is that I need to walk past the scene and understand it a glance. Literally (mentally) I need to be an uninvolved spectator who just happens by and sees the people. What would I get from a glance? The tension in the room? Or the ease? Would I be impressed by their wealth? Moved to pity? Repulsed? I need that snapshot before plumbing the depths. Even when conversation comes to mind first, which happens during moments of relaxation, and I grab pen and paper to write it down, I have to write the setting and have appearance in mind before inputting the written conversation. so the upshot of Wednesday night was I went through The Bad Death to reacquaint myself with the Greeley girls' appearance and I looked through my photography books on Charleston's great houses to pick out the perfect setting for the scene. Found one, too. So tonight I'll start writing.
Last night in Juicy Writing, Sharon helped me organize a schedule for my writing/publishing tasks. She has a method of putting this to paper that is really visual and stress-reducing. Now I literally have it on paper, pinned to my bulletin board above my desk, that Saturday I will publish my three short stories to e-readers. Monday, I'll input Linda's edits to Bloodroom and I'll keep doing that till I'm done. I have been pinballing from one task to another, not finishing anything and getting wigged out. So this will help immensely.
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